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Sunday
Jul012012

A Whole New WaltDisney.org!

We here at The Walt Disney Family Museum are thrilled to announce the redesign and expansion of WaltDisney.org! The online home of the Museum tells the incredible story of Walt Disney through a virtual tour of our ten permanent galleries, a multimedia journey through Walt’s life, and a choose-your-own-adventure style exploration into the wonderful world of Walt. Find animation, innovation and inspiration through our wildly creative, interactive site. Take a look around, and don’t miss out on our exclusive museum store merchandise and calendar of upcoming programs, classes, and special events. Check back often for new content, announcements, and inspirational surprises.

Lastly, STORYBOARD has moved! Check out the blog tab in the upper navigation area of the new site... or click here to check out thew new home for our blog. (Bookmark it: http://waltdisney.org/storyboard).

Friday
Jun292012

July at The Walt Disney Family Museum: The Sword in the Stone!

During the month of July, The Walt Disney Family Museum is screening feature-length animated film The Sword in the Stone. Adapted from T. H. White’s novel of the same name, The Sword in the Stone is Disney’s take on a classic tale, bringing the story of King Arthur’s boyhood to life. 

The Sword in the Stone is one of only three fully animated features of the 1960s. Originally released in 1963, it is the last animated feature released in Walt’s lifetime, and the second to last animated film he produced. Filled with contemporary references, comedy, and music, The Sword in the Stone reflects Walt’s unique ability to transpose almost any story into a fantastic visual masterpiece. Walt’s masterful storytelling magically transforms the medieval legend of Merlin the magician, by infusing the classic tale with a dose of his distinctive humor and wit.


© Disney.FILM SCREENINGS

The Sword in the Stone (1963)
Screens daily at 11am, 1:30pm and 4pm (except Tuesdays, and July 14 and 20)
Admission to the film is free with Museum admission, or $7 general; $5 under 17 without Museum admission.

 

SPECIAL PROGRAMS

Heinrich Kley and Company:  European Influences on Disney
An illustrated lecture with John Canemaker
Saturday, July 14 at 3pm | Theater Gallery
General: $12 adult; $9 under 17
Members: $10 adult; $7 under 17 

Academy Award®-winning animation filmmaker, author, and historian John Canemaker presents an overview of the various European aesthetic influences that found their way into Disney feature films. Canemaker spotlights the contributions of European artists who worked at the studio, discusses the anthropomorphic art of Heinrich Kley and J.J. Grandville, as well as the expressionistic silent films of German director F.W. Murnau, and explores how these sources inspired Walt in the creation of the visual style of early Disney features, such as Snow White and the Seven Dwarfs, Pinocchio, and Fantasia.

 

Golden Gate Bridge 75th Anniversary
The Bridge on the Big Screen: Movies Starring the Golden Gate Bridge
Star Trek IV: The Voyage Home
Saturday, July 21 at 6pm | Theater Gallery
Free on a first-come, first-served basis, tickets available at 10 a.m. 

Come see Kirk and his crew travel to San Francisco in this 1986 American science fiction film screened in the Walt Disney Family Museum’s Fantasia-inspired theater.

 

Animate Your Night:  Ready, Steady, Go!
Friday, July 27 from 7 to 10pm | Museum-wide
General: $10 adult
Members: $5 adult

Experience the galleries in a whole new light and illuminate your imagination with cocktails, music, performance, film screenings and hands-on art activities. Come eat, drink, and create... and animate your night!

 

THE PRESIDIO GAMES on the Main Post Lawn
Sunday, July 29 from 11am to 2pm | Main Post Lawn/Presidio
Bring your family for a day filled with fun and games. In honor of the 2012 Summer Olympics, the Walt Disney Family Museum has partnered with Sports Basement, the YMCA, SenSpa, and others to host this special event featuring a bicycle rodeo, a circuits course, hoola-hooping, kite flying, and more. Join in the fun and let the games begin!
11 a.m.:  Opening Ceremony
11:30 a.m.–1:30 p.m.:  Games and Festivities
1:30 p.m.:  Closing Ceremony
Participation is free.

For a full listing of programs, special events, films, classes, and workshops, please visit www.waltdisney.org.

Wednesday
Jun272012

Getting to Know Our Members: Janet Joyce

The inspiration of and appreciation for Walt Disney knows no boundaries. The Membership at The Walt Disney Family Museum certainly reflects this diversity. Each month, we introduce you to one of our Members, so you can see the varied and frequently fascinating people who have come together to learn and experience more about the life, work, philosophies, and ideals of Walt Disney. This month, we’d like you to meet member Janet Joyce!

Janet Joyce with her husband Tom.Janet grew up watching the Wonderful World of Disney on TV, and remembers asking my father if they could take a trip to Disneyland and meet "Mr. Disney".  Altough they were not able to visit the park and that time, she has since made up for lost time. Janet's first visit was in 1969 and, she has enjoyed taking many trips to both Disneyland and Walt Disney World since. Her husband Tom and she have visited the parks many times not only to attend various conventions, but also for their honeymoon. To say the least, they enjoy being in the parks created by "Mr. Disney".

Why did you become a member of The Walt Disney Family Museum? 

When we first heard about The Walt Disney Family Museum, we were thrilled that we might be able to visit it.  And then when more information came out and that we could join the museum, well that sealed the deal.  We signed up as soon as membership became available.  To have something in our area that related to Walt Disney and his life, what a great opportunity. 

What do you find the most enjoyable about your membership? 

It’s hard to pin down the most enjoyable part of the membership.  We have enjoyed all the special events like the Mad Hatter’s Tea Party, the special talks and presentations by all the various artists and authors.  We have also liked being able to share visits to the museum with friends and co-workers – we give them tickets to go and they always come back amazed at everything they have seen.  Their comments always seem to start out with “There is so much to see and do with all the interactive exhibits.  I didn’t realize there was that much available to learn about Walt Disney, the man, and what he accomplished.  We need to go back.” 

What do you enjoy most about the Museum? 

All the exhibits in the museum.  The family pictures and interactive displays, learning about the Ink & Paint department and how everything comes together to produce each frame of the pictures.  We are always learning something new. 

How does Walt Disney inspire you?

Hearing and seeing everything, inspires me to dig deeper to learn more about the man and to encourage our grandchildren, and me, to reach their full potential.  Don’t let failures dissuade you from going after your dream, whatever that might be. 

What was your first Disney inspiration or memory?

My first memory of Disney was the TV program.  And when Disneyland was being built I wanted my father to move to LA to help build it since he was a carpenter and that would have let me go to the park as well (an ulterior motive).  But, of course, he just smiled at me and said he didn’t think we could move to California just for that.

Tuesday
Jun262012

Look Closer: 1964 New York World’s Fair

The first World’s Fair was held in London at the Crystal Palace in Hyde Park in 1851. The Great Exhibition of the Works of Industry of All Nations, as it was called, was the brainchild of Queen Victoria’s husband Prince Albert with the purpose of providing society with the hope of a better and brighter future based on mankind’s capacity to create innovative new ideas and technologies.

Thirty two nations were represented in the first exhibition, and around six million people attended, including such notable figures as Charles Darwin, Charlotte Bronte, Lewis Carroll, and George Eliot.

Some of the exhibits featured at the first fair included the world’s biggest known diamond at that time, a precursor to today’s fax machine, and one of the world’s first automatic voting machines.

Since the first Great Exhibition, the concept of the World’s Fair has evolved in the more than 160 years it has been held. The Fair was initially established to focus on progress and innovation in industry and manufacturing. In the early twentieth century, the emphasis of the Fair shifted towards themes centered on cultural issues, and finding solutions to social problems. Then in the late twentieth century, the concept shifted again to focus on what is known as nation-branding; countries used their exhibits to help define their national identities among the other nations of the world.

Today’s Fairs represent a fusion of the three concepts, especially focusing on state-of-the-art technology and addressing issues and topics of our global culture. Expo 2012 is currently being held in Yeosu, South Korea with the theme of “The Living Ocean and Coast: Diversity of Resources and Sustainable Activities.”

The 1964 World’s Fair was held at Flushing Meadow in Queens, New York. The Fair ran over the course of two years, with the first season running from April 22 to October 18, 1964 and the second season from April 21 to October 17, 1965. The Fair featured 140 pavilions spread across the 646 acres that had also served as the site of the 1939 New York’s World Fair. Most of the pavilions were sponsored by United States commercial companies, but 21 states and 36 foreign countries were also represented.

The theme of the 1964 World’s Fair was "Peace Through Understanding" and was devoted to “Man on a Shrinking Globe in an Expanding Universe.” During the mid 1960s, society was especially excited about the progress of the burgeoning space age and travelling beyond the known world.   

American corporations invested more than one billion dollars on impressive pavilions meant to boost the public image of their companies. Several American organizations were interested in commissioning exhibits from the innovative designers at Disney, due to the successes of Disneyland attractions. Disney provided four exhibits for the Fair, which were sponsored by Ford, General Electric, the State of Illinois, and Pepsi-Cola.

Developing exhibits for the Fair provided unique opportunities for Walt Disney and his Imagineers.  Walt was interested in testing Disney entertainment with East Coast audiences to inform his decision on whether or not to build another park there. Walt also saw the opportunity for research and development for new attractions that could ultimately end up in Disneyland, but would be paid for on the dime of other corporations for the Fair.

The four exhibits developed by Disney were Great Moments with Mr. Lincoln for the State of Illinois, Carousel of Progress for General Electric, Magic Skyway for Ford, and It’s a Small World for Pepsi-Cola to salute and benefit UNICEF. The Disney attractions were some of the most popular exhibits at the fair; 135,000 visitors per day visited Disney’s four exhibits during the first season alone.

Great Moments with Mr. Lincoln featured an impressive life-sized audio-animatronics figure of President Lincoln giving excerpts from his speeches on liberty, civil rights, and freedom. The figure was capable of more than 250,000 combinations of movement, including motion of the arms, legs, and mouth. The animatronic Lincoln performed for audiences five times per hour, and looked so lifelike that some audience members thought he was played by a live actor.

To achieve the effect, signals were fed from an electronic tape to a transistorized “brain” inside the Lincoln figure. Individual motors were then activated to operate the moving parts. Sound was also fed from the tape, in synch with the mouth movements. The technology used for Mr. Lincoln was a forerunner for today’s motion-capture technology used for characters in films such as The Lord of the Rings, Avatar, and Pirates of the Caribbean.

Carousel of Progress was developed for the General Electric Pavilion to promote the importance of electricity in American society, shown over the course of several decades. For the design, Imagineer John Hench was inspired by a Broadway production of Our Town in which the father figure narrates the story through several generations.

The circular theater was intended to utilize the very limited space and to circulate a large number of visitors quickly. The theater housed a total of six stages, four of which were show stages, and two of which were for loading and unloading guests. The theater seating area rotated around the stages to keep the show stages and audio-animatronic characters stationary. The attraction accommodated 3,600 guests per hour. After viewing the show, guests proceeded to the upper level of the Pavilion to view Progress City, a 160 foot scale model for Walt’s original concept for EPCOT.

The show featured the song “There’s a Great Big Beautiful Tomorrow” written by veteran Disney songwriters Richard and Robert Sherman.

It’s a Small World turned out to be the most challenging attraction of the four due to being undertaken last and having so little time to produce it. The entire attraction was designed, constructed, and installed within just nine months. (Coincidentally, this is around the same amount of time taken to create the Disneyland model on display here at the Walt Disney Family Museum!) 

The nine minute boat ride travelled past familiar miniature scenes such as the Eiffel Tower, a Dutch windmill, and the Taj Mahal. Animated children, animals, and birds sang and danced to the Sherman Brothers theme song “It’s a Small World.” The attraction cost 95 cents for adults and 60 cents for children.

 Magic Skyway carried guests on a journey through the progress of humankind throughout the ages. Visitors boarded one of 160 1964 Ford Convertibles and tuned the radio to any of four languages to hear the fascinating tale of man’s growth and development.

On the attraction, guests traveled through plastic tunnels around the outside of the Ford rotunda for an excellent view of the fairgrounds, and then were taken through the inner portion of the Pavilion. Once inside, the attraction transported visitors to the dawn of time, before progressing to the age of the dinosaurs, and into the world of cavemen. The last part of the journey was occupied by Space City, an imaginative concept of the city of the future. The attraction was narrated by Walt Disney himself.

Aspects of each of the four exhibits were later installed in Disneyland. The Disneyland attraction It’s a Small World most closely resembles the exhibit from the 1964 Fair, though the overall concepts for Great Moments with Mr. Lincoln and the Carousel of Progress also became classic Disneyland attractions. Elements from the prehistoric exhibit on the Magic Skyway were installed in Disneyland as the Primeval World, a diorama visible from the Disneyland Railroad between its stops at Tomorrowland and Main Street U.S.A.

The Disney attractions were some of the most popular at the 1964 World’s Fair, and from their successes, Walt gained confidence to move forward on his Florida project. Though he would never see the completion of the new project, the Fair helped lay the groundwork for the ever-expanding vistas of production undertaken by the Disney studio. 

 

 

 

Alyssa Carnaham

Museum Educator

Friday
Jun222012

Wang and Muller, Watching Movies: Pixar's 'Brave'

Museum staffers Andi Wang (right) and Anel Muller (left) review movies--past and present--inspired by, related to, or produced by Disney. In honor of The WDFM's first anniversary YouTube contest they starred in, Wang and Muller will be rating each movie on a scale of facial hair: scruff (worst), mustache, goatee, mutton chops, and full-on beard (best). In celebration of the opening day of a highly anticipated film, "Wang and Muller, Watching Movies" take a look at the new Pixar feature Brave!

“Every man dies, not every man really lives”.  Ok ok, although this quote is from another Scottish themed film, it can also be applied to the newest movie from Pixar: Brave.  The movie tells the story of a young girl trying to break tradition and change her fate.  But like all other movies having to deal with changing of fate, we feel that our fate is what we make it and simply making the decision that you want something different is enough to redirect your path.

The animation on this film is absolutely indescribable. When scenes that featured the characters at a distance would come around, we would often forget we were watching an animated film.  Individual strands of hair blowing in the wind, water cascading down a waterfall--even a horse walking in the forest--was incredibly real.

The gags were by far the funniest we have seen in any animated film.  Pixar did not miss addressing every single Scottish stereotype from indecipherable speech to fun times with kilts and even blue face paint.  They were all there and they definitely delivered the laughter.

On the flip side, the story in this Pixar film is among the weakest we can remember in recent history. It's a story that seems like one that has been done many times before, yet the "twist" on it almost seemed hokey to a point. In the new wave of Disney movies featuring princesses, Pixar also jumps on the bandwagon with molding its heroine into the anti-princess; one who is strong, bold, independent, and rebellious to an extent. We fully support and encourage this type of character, but our issue being that while the premise is great and the story is interesting, there was just not enough editing.  It takes too long to get to the meat of the story. With that said, we can only imagine how much must have been left on the cutting room floor. Although the story seemed to move quite quickly, skimming only the surface at times, at the end of it all, the message and heart of the film still shines.

Admittedly—as it is a Pixar film—we unfairly went into the movie already holding it to incredibly high standards. Though it had its weaknesses, we still really enjoyed this film.  It was entertaining and a great date for a mother and daughter (Anel saw it with her five-year old, Laila; and Andi wishes she saw it with her mother).  Therefore, grab your best kilt and head out to see Brave!

The animation and the gags definitely elevate this movie from Goatee to Mutton Chops.

The views and opinions expressed in the "Wang and Muller, Watching Movies" series are those of the authors, and do not necessarily reflect the official position, thoughts, and opinions of The Walt Disney Family Museum, Walt Disney Family Foundation, or any of its affiliates.