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Thursday
Jun212012

Disneyland, The Quintessential Classics: The Disneyland Railroad

© DisneyThe Disneyland Resort is sure to be the hottest destination this summer with the opening of two new lands - Buena Vista Street and Cars Land at Disney California Adventure. Disney Imagineers have worked long and hard to bring more of Walt Disney into the newly expanded and enhanced Disney California Adventure.

Many guests will no doubt journey to Walt Disney’s Original Magic Kingdom, Disneyland, after experiencing all of the new and exciting attractions and experiences at Disney California Adventure. We at the Walt Disney Family Museum would like to highlight some of the must see Disneyland attractions guests can still experience today that tie directly back to Walt Disney himself.

In celebration of summer, which officially starts today, we are please to present to you...

Disneyland - The Quintessential Classics

The Must See Attractions that made Walt Disney's Magic Kingdom

Internationally known as "The Happiest Place on Earth"!

Our First Stop: The Disneyland Railroad.

© DisneyThe Disneyland Railroad may be Disneyland's greatest representation of Walt Disney at the park. Walt was a lifelong train enthusiast and some form of a train ride was included in the earliest conceptual drawings of Disneyland. Walt considered using his own 1/8th scale miniature backyard train, the “Lilly Belle”, as an attraction at the modest Mickey Mouse Park he originally planned to build adjacent to the Disney Studio in Burbank. As his plans for a theme park outgrew the Burbank plot, so did the scale of his railroad, 5/8ths scale to be exact. In designing his park, Walt said that he wanted Disneyland “to look like nothing else in the world. And it should be surrounded by a train.” The two opening day locomotives - the C.K. Holliday and E.P. Ripley- as well as the passenger cars were all built at the Disney Studio in 1954. Due to its popularity with guests a third locomotive, the Fred Gurley, was added to the Disneyland Railroad in 1958 and a fourth, the Ernest S. Marsh was added in 1959.

Guests taking a “Grand Circle Tour” of Disneyland today experience an overview of the many lands of Walt’s park. The grand finale of the tour is a visit through the Grand Canyon Diorama and a trip back in time through the Primeval World. The Grand Canyon Diorama, opened in 1958, represents the view from the canyon's southern rim and is painted on a 306 foot piece of seamless canvas. The diorama features taxidermy animals including mountain lions, bighorn sheep, wild turkeys, and a hard to spot armadillo. Primeval World, added in 1966, is home to the audio-animatronic dinosaurs from the Magic Skyway attraction Walt Disney designed for the Ford Pavilion at the 1964/65 New York World’s Fair. 

A ride on the Disneyland Railroad is a great way to start or end a fun filled day at the park. Make sure to take some time to look at the historic displays, photos of Walt, and the replica of his backyard train, the “Lilly Belle”, located inside Main Street Station. The actual “Lilly Belle” is of course on display in Gallery 9 at the Walt Disney Family Museum.

For our next installment, we’ll continue our look at the quintessential “Walt” attractions at Disneyland by spending a few “Great Moments with Mr. Lincoln"!

 

Joseph Titizian is an inaugural member of The Walt Disney Family Museum volunteer team. He is a regular contributor to this blog, and has developed continued education courses for the volunteer team. A lifelong Disney fan, Joseph has previously worked at Disneyland Park and Pixar Animation Studios. 

Bon Voyage! screens daily throughout the month of June at 1:00pm and 4:00pm (except Tuesdays). Tickets are available at the Reception and Member Service Desk at the Museum, or online by clicking here.

Wednesday
Jun202012

Artifactual: Heinrich Kley Music Poster Artwork

© Bill Graham Archives, LLC. All Rights ReservedThe Fillmore Auditorium has been a centerpiece of San Francisco music and culture for decades. The historic music venue sits on the corner of Fillmore Street and Geary Boulevard and is known for the stellar countercultural music acts it hosted during the 1960s, including The Grateful Dead, Jefferson Airplane, Janis Joplin, Pink Floyd, The Doors and many others.

Bill Graham was the impresario responsible for booking bands for the venue for many years, and for establishing the “Fillmore Sound.” The auditorium became the epicenter for psychedelic music and counterculture which corresponded with the social phenomenon “Summer of Love.” Graham was also responsible for commissioning local artists to create posters advertising the concerts held at the venue. Among these artists were Rick Griffin and Wes Wilson, whose posters featured colorful and distorted images and text, a style iconicized in 1960s culture.    

In other cases, artwork was repurposed from other sources for the posters, as was the case for the work of a German artist named Heinrich Kley. Kley was an illustrator and painter born in Germany in 1863, and was a favorite artist of Walt Disney’s. His work is currently on exhibit in the Theater Gallery of The Walt Disney Family Museum.

Kley’s illustrations were featured on a number of posters and handbills for the Fillmore Auditorium and the Matrix, a club also located in the Fillmore District. Kley’s work can be found on posters advertising performances by such 1960s bands as Big Brother and the Holding Company, the Turtles, the Grateful Dead, the Wildflower, and Moby Grape.

The artwork of Heinrich Kley was an insteresting choice to be featured as the imagery for the 1960s music scene. Though his work heralded from an earlier generation, the elements of wit and fantasy evident in his illustrations make for a fascinating addition to 1960s styling of the ads. Just as the style of the music and the spirit of the Fillmore sought to challenge the accepted cultural precepts of the era, Kley’s work had similarly gone against the grain of societal values of his own time. His artwork often confronted human imperfections and glorified folksy and even disturbing subject matter, starkly contrasting the values of German society in the first decades of the Twentieth Century. The German ruling class, which came to power following the First World War and leading to the Second, highly regarded the ideals of classicism, human strength, and cultural might. Kley’s work challenged these values.

In the 1990s, the Kley posters were sold to music merchandiser Wolfgang’s Vault,  a company dedicated to collecting and archiving music recordings and memorabilia. The company was named for Fillmore impresario Bill Graham (whose given name was “Wolfgang”),  and prints of vintage poster art, including the Kley illustrations, can be ordered through the company’s site.

Discovering this unexpected and interesting tie between the Walt Disney Family Museum and our San Francisco community, between several key people who never actually met, (i.e. Walt Disney, Heinrich Kley, and Bill Graham), reminds me of how relevant the collection and the story of this Museum still are today.  We continue to find and ascertain connections between the legacy of Walt Disney and the greater communities of art, entertainment, and culture. The opportunities to learn and be inspired are endless, and allow us the keep exploring in many different directions. 

 

 

 

Alyssa Carnahan

Museum Educator

Monday
Jun182012

Bon Voyage! with the Disney Family

© DisneySummer vacation is a time for families to escape the routine of their daily lives for some well deserved rest and relaxation.  Walt Disney’s 1962 film, Bon Voyage! captures the excitement and misadventures of the Willard family, a typical American family from Terra Haute, Indiana  fulfilling their long held dream of crossing the Atlantic to soak up the sights of “gay Paree” and the French Riviera. While many would not consider Walt Disney a typical American tourist, he was a loving husband and father who enjoyed taking his family on several grand vacations across the Atlantic to see the sight of Europe.

In the film Bon Voyage!, Harry and Katie Willard have had to postpone their plans for a dream vacations for nearly twenty years because of family and work responsibilities. Walt Disney was no different. Other than a short honeymoon in 1925, Walt had not taken a vacation since arriving in Hollywood in 1923. In the fall of 1931, on doctor’s orders, Walt and Lilly set out for their first vacation together so that Walt could relax and recuperate from the stresses of running an ever growing studio operation. In a story published in the Kansas City Times on October 16, 1931, Lilly called their vacation a “gypsy jaunt,” taken on doctor’s orders. Lilly said, “It’s great fun just to start out, without knowing in advance exactly all of the places you’re going to see.” Walt and Lillian’s jaunt would take them across the country and to Havana, Cuba. Along the way they visited the Grand Canyon, Kansas City, Washington, D. C.; and Miami. The Disneys departed Havana on November 3rd, 1931 aboard the luxury cruise ship, the SS California, sailing through the Panama Canal and arriving at the Port of Los Angeles on November 14, 1931. 

Walt and Lilly would take several cruises to Hawaii and Europe throughout the 1930’s and 1940’s, but their first family trip to Europe with their daughters Diane and Sharon would take place in the summer of 1949. Walt was filming his first all live action film “Treasure Islands” on location in England. A European vacation would give him the opportunity to show his daughters England, Ireland and France as well as supervise the films production. The Disney family boarded the RMS Queen Elizabeth in New York in June of 1949 for a five week European adventure.  Diane Disney Miller recalled that she and her sister Sharon (age 15 and 12 on that first voyage) “enjoyed the evening cocktail time before dinner. We all dressed up and often there were other interesting people aboard who would stop by and chat with my parents. I learned to love sardines and anchovies at that time, because I was always really hungry for dinner, and all the hors d'ouvres were composed of those kinds of things.” As first class passengers, Walt enjoyed treating his family to the finest accommodations available onboard, but he did not enjoy the pretentiousness that accompanied those accommodations. Diane remembers that, “On one voyage on one of the Queens we dined in a small, very exclusive dinning room every night.  I remember the Sarnoff family - the General, his wife, Robert and his wife - shared that room with us... maybe one or two other tables.  It was too quiet for dad, I think, and he thought up silly things to do that Sharon and I enjoyed tremendously.” One night at dinner, Diane remembered that Walt turned to her and said, "Accost me!" "What??" I replied.  "Accost me!"  I did my best accosting move and he whipped out his table knife that he'd concealed in his coat sleeve... "A HA!"  He did this several times on that voyage.”   Diane remembered that to break up the quietness of the dining room Walt taught the girls “to move your fingers around the rim of your water glass, making a lovely chime-like sound.  With different levels of liquid you would, of course, get different level of tone, and could create some lovely harmonies.  I remember fondly, with a smile, those elegant shipboard dinners.” In these regal surroundings, Walt was not a powerful studio head hobnobbing with his elite fellow passengers. He was just a father having fun with his two little girls.  

Walt and his family would return to Europe for the next three summers aboard luxurious ocean liners like the RMS Queen Mary and the USS Independence and USS Constitution. Walt would oversee the productions of films like “Robin Hood and His Merrie Men” and “The Sword and the Rose” and continue to share the sights of Europe with his family. Diane Disney Miller remembered that “Dad did enjoy his time shipboard, and kept very busy with any activity that they offered... shuffleboard... medicine ball workouts... On one return trip when we left for home from the south of France on the American Lines... the USS Constitution, or the USS Independence, dad became very friendly with a group of Catholic priests who were returning from a pilgrimage to the shrine of Our Lady of Fatima.  They were having a glorious time, and he enjoyed their company a lot, playing some serious shuffleboard with them.” And while Walt enjoyed the transatlantic crossings, Diane remembered that “he was very ready to disembark and get on with business when his destination had been reached.” 

In a letter to his sister Ruth Disney Beecher, Walt shared the joys of his 1952 European Family Vacation: “We had quite a trip to Europe this summer—sometimes I wonder how I did it—I mean looking after five women for 10 weeks—baggage, passports, reservations and what have you. In addition to my own three, we took with us Lilly’s niece, Majorie Bowers, and a girlfriend of Diane’s, Karen Bergstrom.

We left here June 21 spent a week in New York and sailed on the Queen Elizabeth July 1. While on the boat, Diane and Karen got the idea that they would like to see the Olympic Games, so arrangements were made and they flew from London to Helsinki and were there for 10 days. They had a wonderful time. The rest of us stayed in London and while there spent a weekend at Stratford-On-Avon, and another weekend up in Scotland. Then we all flew to Paris, Diane and Karen coming in from Helsinki. We stayed there the better part of a week and then went to Switzerland by train, making our headquarters by Lucerne. Everybody loved Switzerland—scenically, it’s very beautiful and it’s clean and things are growing everywhere, yet only a small percentage of its area is productive because so much of the country is mountainous. There’s no impoverishment and the people are happy.

We went into Germany by automobile and stayed at Munich. Then we drove through the Bavarian Alps into Austria and spent some time at Salzburg and Innsbruch, returning to Lucerne. Another wonderful spot was Zermatt, high up in the Swiss Alps, which seemed to be completely a bloom with yellow crocus. From here we went on to Geneva and while there they were holding their annual fete called 'The Battle of Confetti.' It was very picturesque and exciting. At night everyone was in costume and confetti was everywhere. During the day there was a parade which consisted of beautiful floral floats similar to your Rose Festival. We enjoyed it very much.

At this point, I flew back to London to see how production was getting along on The Sword and the Rose, and Lilly and the girls went on to Italy, visiting Milan, Florence and Rome, where I met them again, and then to Naples where we boarded the American boat, the Independence. This is the long way home, 10 days to be exact. About half way across we touched on the fringe of a hurricane, which was pretty exciting and things got pretty rough. Can’t say that the girls enjoyed it, but they did live through it, despite their seasickness. I seem to be immune to such stuff. All in all, the trip was a complete success.”

In the coming years the added responsibilities of television production and Disneyland would cause Walt to rely on the speed and convenience of air travel on his trips to Europe. But like the Willard family in “Bon Voyage!”, the Disney family would always have a lifetime of  happy memories of their loving father and the grand ocean voyages and European adventures they shared together.

 

Joseph Titizian is an inaugural member of The Walt Disney Family Museum volunteer team. He is a regular contributor to this blog, and has developed continued education courses for the volunteer team. A lifelong Disney fan, Joseph has previously worked at Disneyland Park and Pixar Animation Studios. 

Bon Voyage! screens daily throughout the month of June at 1:00pm and 4:00pm (except Tuesdays). Tickets are available at the Reception and Member Service Desk at the Museum, or online by clicking here.

Tuesday
Jun122012

Snow White and the Seven Dwarfs: The Creation of a Classic

Arguably the most triumphant moment in Disney’s career, the innovative animated film that was initially dubbed “Disney’s Folly” launched a completely new style of cinema and remains an acclaimed tribute to the vision and imagination of Walt Disney to this day. In celebration of the 75th anniversary of Walt Disney's first feature-length film, we are pleased to present the special exhibition Snow White and the Seven Dwarfs: The Creation of a Classic, which will be on view from November 15, 2012 to April 14, 2013. The exhibition commemorates Walt’s vision and the artistry of his dedicated staff, illustrating how they shaped and defined an entirely new American art form through their creation of this groundbreaking film. Guided by the vision of a master storyteller, 32 animators, 1032 assistants, 107 inbetweeners, 10 layout artists, 25 background artists, 65 special effects animators and 158 inkers and painters and countless production staff came together to create the masterpiece. The exhibition is organized by The Walt Disney Family Museum, and guest curated by Lella Smith, Creative Director of the Walt Disney Animation Research Library.

Snow White and the Seven Dwarfs: The Creation of a Classic features more than 200 works of art including conceptual drawings, early character studies, detailed story sketches, and animation drawings. Also featured are delicate thumbnail layout watercolors, meticulously rendered pencil layouts, rare watercolor backgrounds, colorful cels, and vintage posters all illustrating how Walt Disney advanced the creation of an entirely new art form. 

Gabriella Calicchio, the Museum’s CEO comments, “I am extremely pleased to present Snow White and the Seven Dwarfs: The Creation of a Classic as the museum’s first major special exhibition. As the film turns 75, the exhibition showcases Disney’s ongoing significance and relevance on contemporary culture. I am truly inspired by Walt’s life and work, not only for the breadth of his creativity and for his accomplishments, but for his fundamental belief in the power of the imagination, his unwavering tenacity, and the visionary genius he became by following that belief. Disney’s legacy is limitless and I hope the exhibition will ignite creativity and imagination in all of us.”

Walt Disney’s daughter Diane Disney Miller shares, “My Dad was completely and intimately engaged in this film from start to finish. It was the first of its kind to have the depth of character, careful attention to story, original music that helped tell that story, and superb artistry. It was, and is still, a masterpiece and I look forward to sharing it with our community and beyond. I hope visitors come away being inspired just as my Dad hoped to instill creativity, innovation, and imagination in the artists he worked with.” 

We encourage our readers to frequently come back to our blog for more details and a deeper look into the creation of Snow White and the Seven Dwarfs as we prepare for our very exciting, new special exhibition!

Saturday
Jun092012

Vacation Tips from Donald Duck

© Disney.If you have yet to make your summer vacation plans here are some ideas from our Birthday Duck, Donald.  An intrepid traveler, Donald Duck has explored the world and seen the sights.  Maybe you are thinking of a Hawaiian Holiday for your summer get away.  Donald and the gang traveled to Hawaii in 1937 and enjoyed many of the island experiences.  With great surf and lots of sun you can’t go wrong with a day at the beach.  But, if like Donald you find your grass skirt ablaze, remember Stop Drop and Roll. 

If a tropical retreat isn’t what you are in the mood for maybe an afternoon on the links would be more your speed.  Donald’s Golf Game isn’t quite up to par, but that may be due to his club selection rather than his skill.  Choosing the right club may not lower your score, but it can lighten the mood… Especially if you don’t watch what your caddy hands you.

Sometimes though, you really need to get away from it all.  If that is the case for you, maybe getting back to nature with a little camping is what you need.  Donald’s Vacation in 1940 wasn’t quite what he was expecting but did teach us about boating and camp safety.  If you’re not careful you may get an up close look at the “backside of water.”  Also remember to properly secure your provisions to protect them from marauding bears and chipmunk.  Most importantly, though, as Donald aptly demonstrates, take only pictures and leave only foot prints.

Whatever your plans are for the summer have fun!

 

 

Reed Milnes

Volunteer Services Coordinator